Meagan Larmant smiling, in a black t-shirt and her leather chocolatier's apron

More chocolate production. Same kitchen.

I work inside growing chocolate businesses to find where production capacity is being lost, make practical improvements with the team, and measure what changed.

Sound familiar?

You need to make more. The obvious fixes are expensive.

Another person, machine, shift or more space. Sometimes that's the answer. Sometimes the capacity is already there.

Tap any that sound like your week

Where I look

It's rarely one big thing.

Capacity tends to go missing in small ways across a production day. None of it looks dramatic on its own. Across a week, it adds up.

  1. Waiting. The chocolate is, or are you?

    In a chocolate kitchen

    Chocolate waiting on a temper. Moulds waiting on the cooling tunnel. Someone waiting for the one person who knows the recipe.

    Worth knowing

    Some waiting belongs to the chocolate: crystallisation and setting take the time they take. The rest is usually scheduling.

  2. Movement. The walk you've stopped noticing.

    In a chocolate kitchen

    The trip to the walk-in for one thing, then back for the thing you forgot. The scale that lives on the wrong bench.

    Worth knowing

    A few steps don't matter. A few steps, forty times a shift, across five people, do.

  3. Sequencing and batching. Sized for a smaller business.

    In a chocolate kitchen

    Batch sizes that made sense three years ago. Fillings made in an order that leaves the enrober idle while the ganache sets.

    Worth knowing

    The right order depends on the products. Ganache needs time; some shells need to be filled today. That's where chocolate knowledge earns its keep.

  4. Setup and changeovers. Every reset costs something.

    In a chocolate kitchen

    Cleaning down between dark and milk. Re-tempering. Re-setting moulds and transfer sheets. Doing it all again after lunch.

    Worth knowing

    Some of it protects the product: allergens and cross-contamination aren't negotiable. Some of it is just habit.

  5. Handoffs. The tray between two jobs.

    In a chocolate kitchen

    Where one person's job ends and the next person's starts, and the full tray that sits between them, waiting.

    Worth knowing

    Unclear handoffs are where rework, double-checking and “I thought you were doing that” live.

  6. Knowledge in one person. Fine, until November.

    In a chocolate kitchen

    The recipe only one person makes properly. The founder who still has to be there for the tricky batch.

    Worth knowing

    It's often the most valuable capacity in the building, and the most fragile.

Before you add capacity, find the capacity you've already got.

More saleable production from the operation you have, without changing the product you've agreed to make.

How it works

I don't hand you a report and leave.

Just2weeks on site. That's it.

About 10 days on your production floor, with your team. Then two short check-ins to see what stuck.

  1. Not how production is supposed to work. How it actually works. I spend normal production days watching how products, people, equipment and decisions move through the kitchen.

  2. Separate conversations with the people doing the work and the people running the business: frustrations, waiting, workarounds, and the things you can't see from the side of the room.

  3. We change things together, in real production, with your team. Not a report that management has to implement after I've gone.

  4. Production runs normally. Then I come back: what stuck, what didn't, what the team adapted, and what needs refining.

Measurement

We measure before. Then we measure again.

  1. 1Agree the number that matters, and write down where it stands today.
  2. 2Change things, then measure it again, the same way.

No vague promises about “efficiency”. We both need to know if it actually improved.

What we might measure

  • Saleable units per production labour hour
  • Batches per shift
  • Kilograms produced
  • Labour hours for a weekly product
  • Your number if another matters more

Three quarters of the fee depends on this number. How the fee works

If I don't think there's something meaningful I can improve, I'll tell you.

Production logAgreed before we start
The metric
Chosen together
Baseline
Measured first
After the changes
Measured the same way
Two weeks later
Did it stick?
One month later
And now?
Meagan Larmant in chef whites and a denim apron, looking down
Why Meg

I've spent a lot of time making chocolate on a deadline.

As Head Chocolatier at Temper Chocolate & Pastry I ran flavour development and production: around 2,000 bonbons a week, plus showpieces and new products. Before that, pastry in hotel and fine-dining kitchens where service doesn't wait.

A general process consultant might see a slow step and cut it. I know which slow steps the chocolate needs, and which ones are just habit.

Training and experience

IICCT certifiedInternational Institute of Chocolate & Cacao Tasting

IICCT (opens in a new tab)
  1. Level2Cacao grading
  2. Level3Tasting

The sensory foundation under everything else: knowing what a cacao is doing, the same way every time.

Temper Chocolate & PastryHead Chocolatier · 2019–2022

Temper (opens in a new tab)

I ran the production floor. I know what a full week feels like.

  • 2,000a week

    Bonbons, made in-house

    Plus showpieces and new products, every week.

  • 3years

    Running flavour and production

    For the whole business, from new recipes to the weekly run.

  • VValrhona

    A Cercle V partner kitchen

    Valrhona’s programme for professional kitchens.

Temper is owned by pastry chef Steven Hodge, of Food Network Canada’s Great Chocolate Showdown.

Fine-dining pastry kitchensCanada & Australia · 2011–2020

Full story

High standards, at volume. Service doesn’t wait.

  • 400covers

    Araxi, Whistler

    Named Best in Whistler 15 times by Vancouver Magazine.

    Pastry Sous Chef · 2014–17

  • 85guests a night

    Vue de Monde, Melbourne

    Three hats, Australia’s top rating. Five dessert courses on an 18-course menu.

    Pastry Chef · 2017–18

  • 300guests an event

    Four Seasons Whistler

    Plated desserts, event cakes and catering. Where my chocolate work began.

    Pastry Sous Chef · 2011–14

  • 22in Canada

    L’Abattoir, Vancouver

    No. 22 on Canada’s 100 Best Restaurants, 2019.

    Pastry Chef · 2018–20

Three hats is Australia’s highest restaurant rating, its closest equivalent to three Michelin stars.

Years of it, in chocolate.

  • A lavender chocolate egg cracked open, with a chocolate bunny climbing out
  • Rows of hand-finished bonbons on slate
  • The chocolate soufflé Meagan produced at Vue de Monde
  • Paint-splattered chocolate eggs on Temper chocolate plaques
  • Glossy tempered chocolate poured into a mould

More of the work

The engagement

Most of the fee depends on results.

You don't pay anything to find out if I can help. And three quarters of the fee only comes due if the number we agreed on actually improves.

  1. Discovery call

    Free

    We talk about what's slowing production down.

  2. On-site visit

    Free

    If I think I can help, I come and see it. If the answer is really a new machine or more space, I'll tell you.

  3. Diagnostic & plan

    CAD $2,500

    I watch, listen and measure a baseline. You get a plan, and the number we'll judge it by.

  4. Implementation

    CAD $7,500

    We make the changes together. You only pay this if the agreed metric meaningfully improves.

Total, at most CAD $10,000

Book a free discovery call
What's included, and the fine print
  • Watching production, across about three normal days
  • Conversations with your team and with whoever runs the business
  • Agreeing the metric, and measuring a baseline
  • Designing the changes
  • Making them, hands-on, in real production (about five days)
  • Measuring again, the same way
  • Reviews two weeks and one month later

What counts as a meaningful improvement is agreed in writing before implementation starts. Travel and accommodation outside Greater Vancouver are scoped separately.

Worth saying

Sometimes you really do need the machine.

Sometimes the equipment really is maxed out. Sometimes the space isn't big enough. Sometimes another pair of hands is exactly what the business needs.

If that's the real constraint, I'll say so.

This is most useful when

  • Demand is growing and production is becoming the thing that limits it.
  • The next obvious fix costs real money: people, equipment, another shift or more space.
  • There's reason to think the current operation could work better than it does.
  • You'd rather know before you spend.
Let's talk

What's slowing production down?

Tell me a little about the business and what's getting in the way. It starts with a free discovery call.

  • Vancouver, BC
  • Clients worldwide
  • Inside your production
Vancouver · working worldwide Let's talk production